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It’s been a nice way to stay in a creative groove and get inspiration for not only music but other creative projects, and has gotten me a lot more interested in music production overall. Also these visuals were made in roughly 15 minutesĭespite placing 8 out of 11, I really had fun with the compo and interacting with everyone during it! I’ve joined several more since then, one of which I made live, and am still participating to the current date. My excuse is the 'do' sample sounded like '超!' and I just happened to have a mask handy. My first entry, simply titled “do”, was made for the compo held on June 28th this year, and I think judging from the reaction it made… some sort of first impression.
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I figured this may be my best way to make a good first impression, since to both our knowledge nobody had ever made an “.mp4” entry before. Half-jokingly, Dylan suggested that along with making a song, I make some visuals for it in that time as well. Regardless, I decided to take up the challenge and give it a shot. Despite having made a good chunk of YTPMVs and having attempted playing a couple instruments in the past, I still to this day wouldn’t consider to be versed in any sort of music production, especially compared to everyone in #mod_shrine. I decided I might as well idle in the IRC channel to keep up with the OHCs, though at the time I never had even considered making some my own.įast forward to a few months later, Dylan randomly notices I’m in the user list and starts (nicely) bugging me about trying to join an OHC sometime. I was really impressed by seeing how many good tunes Dylan had put out in these OHCs, and even made an unintentional “everyday” with one of the songs. Lots of amazing artists and musicians have joined these, such as Tee Lopes, Frums, and coda. From what I gather, in recent years it’s transitioned more into being only the latter, with OHCs being held every week, and not only limited to music made in trackers such as OpenMPT, but open to anyone using any DAW.
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mod file discussion, along with one hour compos (OHC).
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Famously, McGraw’s noted acting chops were highlighted via the 2004-released film Friday Night Lights, in which the country vocalist appeared in a breakout role as Charles Billingsley, a former high school star who is the drunken and abusive father of a current team member.Earlier this year, my friend Dylan James, who I was familiar with for his YTPMVs in the past and more recently having been able to work with him on the last Octagon collaboration, had made a tweet where he shared a link to a selection of music he had made for #mod_shrine on EsperNet, an IRC channel for tracker and. “We worked together on Friday Night Lights….can’t wait to team up on this one,” he offered. Via Instagram, he celebrated acclaimed actor Billy Bob Thornton also joining the cast of the forthcoming period piece.
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Kay’s success story runs deeper than songs over coffee, which CMT will share in an upcoming episode of the new digital series, Viral To Verified.Īs for McGraw, he was recently cast - alongside wife Faith Hill - as the heads of the Dutton family in Yellowstone origin series 1883. “I love her voice,” and “see if my coffee turns out as good as the way she sings this song,” he posts, with an air of good humor. Via her website, it’s noted that Kay’s rootsy voice has been compared to Dolly Parton, Alison Krauss, and Lee Ann Womack, a notion to which McGraw agrees. A post shared by Tim McGraw a thermos of coffee, McGraw watches Alexandra Kay cover his 1994 released, first number-one single, “Don’t Take The Girl.” Kay’s a viral sensation with nearly 150,000 followers on Instagram and two million TikTok followers, who has covered songs like Dolly Parton’s “Jolene,” leading to hundreds of millions of views across various social media platforms.